Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.
By this I mean that we no more have a shut system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Kent du Pre has done such
work with Symmetric figures such as stars from which flowers can be folded. Irregular figures have made an appearance occasionally, nevertheless the most extreme form occurs in Paper Miracle with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course strongly related to paper cutting. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive width. The most recent mention of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Uchiyama is Origami Easy Animals reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve ears or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to give enough points for the hip and legs. Rohm folded his Festival pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to Origami Star Box avoid the complexities of a model achieved only by folding.
In a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling That is now usual in animal folds to call for a final modeling particularly when foil has already been used and one can make sure of the substance remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modelling following the folding The technique of wetting the paper seems to be Japanese in origin was demonstrated by Yoshizawa at a Convention in Birmingham. Another method of damp moulding using paste in the preparation is discussed by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The retracts tend to be smooth and that we are approaching figurine rather than Origami.
Bateau en papier
The particular associated arts are Weaving cloth and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the finish to show the multi-layers usually Bateau De Papier with different colours. In flower folding and possible doll-making the multi-layer strategy is exploited for its own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of paper each folded to symbolize some part of the animal and then brought together. The idea may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have appeared for folding a monster from a amount of pieces of different sizes.
Comment faire un avion en papier
Inside the most extreme combos of water and paper we are, of course , in the world of fun which is evidently an open-ended art. DecoratingThe easiest step from the single colour is one side female and one white or plain. A great package of modern Origami uses this colour difference. A delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which Avion En Papier Planeur Qui Vole Longtemps are already printed with a design ideal for a special model. The end of this process is evidently the decoration of the ultimate model and therefore into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then bow and finally string.
Fleur en papier
The trimming out of holes and so forth. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously dealing with a technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of Comment Faire Un Avion En Papier Qui Vole Bien Et Longtemps paper-craft Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and plainly here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its easiest form we might use glue, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or credit card. Probably the most unusual form of 'display mechanics' that We am acquainted with is by Toyoaki Kawai.